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VERTICAL ETHIOPIA documents a climbing expedition to unexplored sandstone spires in northern Ethiopia. In March 2007, four women traveled to Ethiopia to discover if climbing might be the next frontier for this continuously evolving country.

Told through a series of vignettes that reveal what it means to climb, to travel, and to explore, Vertical Ethiopia looks closely at the intersections between adventure and culture, history and opportunity.

Vertical Ethiopia is being published by Shama Publishing, an Ethiopian Publisher. The book is thus a collaborative African product with over half of the first print run being sent to Addis Ababa for in-country sale. Majka talks about her commitment to this collaboration, and her experiences with working with Ethiopia press rules and regulations on her book tour.

The Story Behind the Book

Becoming Neutral, Exploration as Art

The first time I went to Ethiopia it was to write about coffee. I joined an expedition to search for a rare coffee bean, Geisha, that was thought to be from Ethiopia but had never been found. The relative of this coffee, in Panama, now garners over $100/lb on the market. We didn’t find Geisha, but I found Ethiopia. Then, the writer and climber in me then found the potential climbing.   

Ethiopia is the only country in Africa that was never colonized and Ethiopians are fiercely proud of their heritage. Ethiopians, and the Ethiopian government, are constantly combating a portrayal of their country as the dusty elbow of Africa. News travels fast in Addis Ababa, and when word got out that I was going to go on a climbing expedition in the north, and that I was a writer, Shama Publishing approached me about writing a book.    

What inspired Shama, and in turn inspired me, was a chance to show a different part of this complex country. I was able to work closely with Shama throughout the process to create a book that they wanted to show to the world. Was this always easy? Far from it. I had to abide by Ethiopia’s press rules, called some of the worst in the world. I could not talk about recent kidnappings, religious violence, or the mobilization of Ethiopian troops in the north. But I saw all of these things while I was there. I sat on a stoop in Axum, 40 miles from the Eritrean border, and watched as 27 trucks rolled by with soldiers going north. I organized a team of climbers to come to area where just a week before their arrival British workers were kidnapped. Ignoring these elements of my experience was not easy, but it was instructive.     

Vertical Ethiopia is not about an American writer going to Africa and creating a book with an American publisher that no one in Africa will ever see. To the contrary—half of the first print run is being shipped to Addis Ababa to be sold in Ethiopia.  On every level, Vertical Ethiopia was collaborative. Gabe Rogel, the photographer and I, worked together to create a story with words and images. Back in the US, at his home in Driggs, Idaho, we sat in front of his computer for four days and laid out our tale. This was in June. I then spent the next six months going back and forth with Shama on the books design, content, cover, and message. It became normal for me to wake up at 5:30 in the morning, roll over, grab my phone, and call Ethiopia at the end of the workday. Later, when the book went to the printer in Dubai, in the United Arab Emirates, I learned that progress was only made on Monday, Tuesday, and Thursday—the only three days that my Muslim printer and Ethiopian publisher in a Christian workweek had in common. The result is a beautiful book with a multi-cultural history.   

Now it’s my turn to share the entire story behind Vertical Ethiopia. Though my book tour I am now able to address all of the other forces that were at work in the background of writing this book. By having to restrain this exploration in the writing of the book, however, I came to understand these other elements in an entirely different way.

To appreciate art, we are told to first become neutral. What if adventure is art? What else could it really be? I did my best to see Ethiopia wholly as the experience I had. It’s from that first place of neutrality that I now share my story.

Editorial Reviews

Review
An amazing read. Within the context of a first-of its kind travel adventure chronicle, the world of climbing is exposed and made accessible to non-climbers. This book is a wonderfully written story of culture, adventure, history, feeling and sport. It reads like a compelling travel journal and leaves you wanting the author to take another trip so you can live vicariously through her words again on the next journey. --Anna I. Ritter

Product Description
What if the very country that claims the Cradle of Humanity is also the next Mecca for adventure: In March of 2007, four women traveled to northern Ethiopia to climb virgin sandstone towers in the Horn of Africa. They explored rock monoliths in a region that is best known for the drought and famine of the 1980 s and was the site of one of the bloodiest massacres of the Derg. Vertical Ethiopia is the narrative of their journey. Told through a series of vignettes that reveal what it means to climb, to travel, and to explore, Vertical Ethiopia looks closely at the intersections between adventure and culture, history and opportunity, and sky and sandstone.

About the Author
Majka Burhardt Majka Burhardt is a writer, climber, and guide living in Boulder, Colorado. Her non-fiction work has appeared in various magazines, including Men s Health, Climbing, Women s Adventure, and Patagonia. She has a BA in anthropology from Princeton University and a MFA in creative writing from the Warren Wilson Program for Writers and is currently completing her first novel.

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